第一篇：傲慢與偏見(jiàn)英語(yǔ)書(shū)評(píng)

Pride and Prejudice

Pride and Prejudice is a novel by Jane Austin, first published in 1813.The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, morality, education and marriage in the society of the landed gentry of early 19th-century England.In the Pride and Prejudice written by Austin，the heroine Elizabeth deeply loved a person named Darcy.Darcy wanted to marry with Elizabeth，but was refused.Because Darcy's pride is actually a reflection of differences in status.Elizabeth's two different attitudes to Darcy actually reflects the female to personality independent and equal rights pursue.In addition, Austin has also written several of Elizabeth's sisters and his girlfriend's marriages which used to compare with the heroine's ideal marriage.Such a marriage is actually social tragedy hiding under the gorgeous coat.In my view, different from most of the books, Pride and Prejudice is full of women' thinkings, worldview and style of life, rather than form a male's point of view the world.And it fully reflects the style of the times.Austin dose well in shaping the distinctive characters in everyday ordinary things.At the same time, Austin's language is discretion.This innovation makes her work of art has its own characteristics, which I eager to share.

第二篇：傲慢與偏見(jiàn)英語(yǔ)書(shū)評(píng)

Pride and Prejudice

In the Pride and Prejudice written by Austin，the heroine Elizabeth deeply loved by the rich and powerful person named Darcy was born in a small landlord family.Regardless of the status and wealth gap，Darcy wanted to marry with Elizabeth，but was refused.Elizabeth on Darcy's misunderstandings and prejudices is one reason, but mainly she hates Darcy's pride.Because Darcy's pride is actually a reflection of differences in status.As long as there is the pride, it is impossible to have the same feelings between Darcy and Elizabeth,also not impossible to have the ideal marriage.Later, Elizabeth personally observes Darcy's manners and a series of actions, especially Darcy has changed and he is not arrogant any more.So Elizabeth eliminates the misunderstandings and prejudices on Darcy , which concludes the great marriage with Darcy.Elizabeth's two different attitudes to Darcy actually reflects the female to personality independent and equal rights pursue.This is the progressive significance of the characters of Elizabeth.In addition, Austin has also written several of Elizabeth's sisters and his girlfriend's marriages which used to compare with the heroine's ideal marriage.For instance,Charlotte and Collins are living with a comfortable life after marriage,but there is no love

between them.Such a marriage is actually social tragedy hiding under the gorgeous coat.Although Pride and Prejudice which the theme is narrow , dull and lack of plot twists and turns of rich is good at depicting the characters' psychological and social reality of height.Different from most of the books, Pride and Prejudice is full of women' thinkings, worldview and style of life, rather than form a male's point of view the world.And it fully reflects the style of the times.Austin dose well in shaping the distinctive characters in everyday ordinary things.Not only the worthy of recognition characters like Elizabeth and Darcy is written in real and moving, but also the sarcastic characters like Wickham and Collins do.At the same time, Austin's language is discretion.She is fastidious in the dialogue art humorously with the satire and contrasts the characteristics of the character in the humorous language.This innovation makes her work of art has its own characteristics.

第三篇：傲慢與偏見(jiàn)書(shū)評(píng)

A Book Review of Pride and Prejudice

Written by Jane Austen and set at the background of leisurely countryside life in 18th and19th century, Pride and Prejudice is a classical English novel which flows in the river of human wisdom.Though it was written by an advanced female pioneer, inevitably, its defects can’t be concealed

It was the first time to compose a novel in female’s angle at that era and that enriched English literature in a fresh way.The elaborate description of local customs and practices also facilitates its vividness and variety.Both its plot and language are fine designed and corrected repetitively.The novel draws a detailed picture of four romantic love stories and eventually has a happy ending though they might be misunderstood by pride, prejudice, reserve or statues.It is acknowledged commonly that this novel is the start of a new writing style.The most controversial issue about this book is the artificial writing style and it was criticized by many writers and academicians.The plain progress, narrow theme and the limitation of the countryside life are the main shortcomings of Jane Austen’s works.As a result, Pride and Prejudice is hard to avoid being regarded as this kind of book.But one cannot deny that this is definitely a typical and great work during that period and even in human history.

第四篇：書(shū)評(píng)傲慢與偏見(jiàn)

書(shū)評(píng)：關(guān)于《傲慢與偏見(jiàn)》

對(duì)于電影版的傲慢與偏見(jiàn)來(lái)說(shuō)，有許多的不足之處，人物的選擇，還有演員的體會(huì)都是個(gè)致命傷。但是在配樂(lè)和畫(huà)面上，都十分的精彩，讓人有種置身歐洲小莊園的美好感受。對(duì)于女孩子來(lái)說(shuō)，是個(gè)不錯(cuò)的消遣。傲慢的達(dá)西先生和善良的伊麗莎白，曲曲折折的愛(ài)情之路，很是對(duì)仍然有浪漫情懷的女性的胃口。

簡(jiǎn) 奧斯丁的小說(shuō)《傲慢與偏見(jiàn)》，充滿了愛(ài)情的猜疑，對(duì)于不同人物之間的描繪，都有自己的看法。一本出色的小說(shuō)，不是因?yàn)樗拿鑼?xiě)美輪美奐，不是因?yàn)樗闹鹘鞘?，也不是因?yàn)樗膲?mèng)幻，而成為一本被人們稱道的著作?！栋谅c偏見(jiàn)》雖然是篇描繪愛(ài)情的小說(shuō)，但是它卻演繹了不同人物，以及當(dāng)時(shí)社會(huì)和家長(zhǎng)們對(duì)婚姻的主流意識(shí)，還有少女們對(duì)愛(ài)情的渴望和狡猾。其實(shí)，這篇小說(shuō)中的許多事情，本身就是簡(jiǎn) 奧斯丁自己所經(jīng)歷過(guò)的，可以說(shuō)是對(duì)現(xiàn)實(shí)社會(huì)的一種提煉，對(duì)于每個(gè)人物的心理描寫(xiě)可謂是出之有原。同時(shí)，人物刻畫(huà)的相當(dāng)飽滿也為這篇小說(shuō)添加了許多出彩的地方。

班納特家發(fā)生的事情只是社會(huì)婚姻意識(shí)的一個(gè)代表。五個(gè)女孩的個(gè)性和思想都表現(xiàn)出當(dāng)時(shí)社會(huì)女性的地位和思想的改變。簡(jiǎn)溫柔賢淑但人害羞，伊麗莎白活潑大方聰慧，瑪麗相貌普通學(xué)識(shí)高卻自大，凱蒂的不穩(wěn)重，還有莉迪亞舉止失禮不自知。五個(gè)女孩各有缺點(diǎn)也各有優(yōu)點(diǎn)，這些優(yōu)缺點(diǎn)最后也在一定程度上影響了她們的一生。故事主要線路就是描繪伊麗莎白和達(dá)西的這段存在著傲慢與偏見(jiàn)的愛(ài)情觀慢慢轉(zhuǎn)變，同時(shí)穿插著周圍其他人的愛(ài)情故事使得整個(gè)故事構(gòu)成一個(gè)框架。沒(méi)有一段愛(ài)情是不曲折的，因?yàn)檎且驗(yàn)榱擞星鄣拇嬖?，人們才?huì)去克服并磨合，所以故事才有了矛盾，有了內(nèi)涵。

本文以社會(huì)女性主義觀點(diǎn)切入，檢視奧斯汀的社會(huì)背景，探索社會(huì)環(huán)境如何影響女性在面臨婚姻時(shí)，內(nèi)心的焦慮與掙扎。就社會(huì)女性主義者而言，物質(zhì)環(huán)境為塑造女性婚姻意識(shí)的決定因素。事實(shí)上，婚姻，就小說(shuō)人物而言，為一個(gè)階級(jí)交換與經(jīng)濟(jì)交流的市場(chǎng)。為了達(dá)成結(jié)婚的目的，女性人物擅于把自己轉(zhuǎn)化成商品，展示其外貌與才藝，吸引男性目光。此一時(shí)期女性受到社會(huì)價(jià)值的鼓勵(lì)，利用其女性特質(zhì)來(lái)贏得婚姻伴侶。然而，奧斯汀的女性人物在面臨婚姻伴侶的抉擇時(shí)往往呈現(xiàn)對(duì)婚姻無(wú)意識(shí)的不安。同時(shí)反映了作者本人的婚姻觀：為了財(cái)產(chǎn)、金錢和地位而結(jié)婚是錯(cuò)誤的；而結(jié)婚不考慮上述因素也是愚蠢的。愛(ài)情是一條主線，然而婚姻與愛(ài)情還是有差別的，其中一點(diǎn)誠(chéng)實(shí)，男女主人公就太缺少了。正因?yàn)槿绱瞬攀沟门鹘遣话病?/p>

傲慢與偏見(jiàn)，在書(shū)中是男女主角愛(ài)情上的障礙，但在現(xiàn)實(shí)社會(huì)中也是人們相互之間交流的障礙，更是在正確對(duì)待自己，對(duì)待事物上的絆腳石。人的缺陷太多，首先是心靈上的陷阱。要想在一生中成一番事業(yè)，無(wú)論是知識(shí)、教養(yǎng)、還是愛(ài)情、事業(yè)，都需要同自己心靈的種種淺浮的陷阱或陰影做斗爭(zhēng)，經(jīng)過(guò)各種誤解和長(zhǎng)時(shí)間的反復(fù)的認(rèn)識(shí)過(guò)程，慢慢由心靈克服各自弱點(diǎn)和毛病，而走向開(kāi)放、灑脫、自由的必然結(jié)果。人與人之間的摩擦，也同主人公之間一樣，有一個(gè)磨合的過(guò)程。

第五篇：《傲慢與偏見(jiàn)》書(shū)評(píng)

《傲慢與偏見(jiàn)》書(shū)評(píng)

在奧斯汀創(chuàng)作的《傲慢與偏見(jiàn)》中，女主人公伊麗莎白出身于小地主家庭，為富豪子弟達(dá)西所熱愛(ài)。達(dá)西不顧門(mén)第和財(cái)富的差距，向她求婚，卻遭到拒絕。伊麗莎白對(duì)他的誤會(huì)和偏見(jiàn)是一個(gè)原因，但主要的是她討厭達(dá)西的傲慢。因?yàn)檫_(dá)西的這種傲慢實(shí)際上是地位差異的反映，只要存在這種傲慢，他與伊麗莎白之間就不可能有共同的思想感情，也不可能有理想的婚姻。以后伊麗莎白親眼觀察了達(dá)西的為人處世和一系列所作所為，特別是看到他改變了過(guò)去那種驕傲自負(fù)的神態(tài)，消除了對(duì)他的誤會(huì)和偏見(jiàn)，從而與他締結(jié)了美滿姻緣。伊麗莎白對(duì)達(dá)西先后兩次求婚的不同態(tài)度，實(shí)際上反映了女性對(duì)人格獨(dú)立和平等權(quán)利de追求。這是伊麗莎白這一人物形象的進(jìn)步意義。

此外，奧斯汀還寫(xiě)了伊麗莎白的幾個(gè)姐妹和女友的婚事，這些都是陪襯，用來(lái)與女主人公理想的婚姻相對(duì)照。如夏洛特和柯林斯盡管婚后過(guò)著舒適的物質(zhì)生活，但他們之間沒(méi)有愛(ài)情，這種婚姻實(shí)際上是掩蓋在華麗外衣下的社會(huì)悲劇。

《傲慢與偏見(jiàn)》盡管題材比較狹窄，故事相當(dāng)平淡，情節(jié)缺乏曲折豐富性，對(duì)人物心理和社會(huì)現(xiàn)實(shí)高度的描寫(xiě)也不足。但不同于大多數(shù)書(shū)都是從男性的角度看世界，《傲慢與偏見(jiàn)》充滿了女性思想色彩，包括世界觀和生活方式，而且也充分地反應(yīng)當(dāng)時(shí)時(shí)代的風(fēng)貌。加上奧斯汀善于在日常平凡事物中塑造鮮明的人物形象，不論是伊麗莎白和達(dá)西那種作者認(rèn)為值得肯定的人物，還是威肯和柯林斯這類遭到諷刺挖苦的對(duì)象，都寫(xiě)得真實(shí)動(dòng)人。同時(shí)，奧斯丁的語(yǔ)言是經(jīng)過(guò)錘煉的，她在對(duì)話藝術(shù)上講究幽默與諷刺，常以風(fēng)趣詼諧的語(yǔ)言來(lái)烘托人物的性格特征。這種藝術(shù)創(chuàng)新使她的作品具有自己的特色。